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Affective DétournementA Case Study
In Double-Reflection (May 1974) I have sketched out the nature and limits of affective détournement. The present text is an examination of a period of experimentation (January-March 1973) during which many of the points in that pamphlet were first discovered or developed. In the wake of the crises and breaking up of Contradiction, the inachievements “came home to roost.” The situationist project, once I stopped participating in it, turned into a wistful infatuation which I hugged to myself like people cling to the memory of a lost love. In modern society the religious consolation tends to take the form of unofficial personal myths that hover half consciously as automatic neutralizers of the daily misery. My past radical activity, by being reduced to a memory, could only be worshipped. And so it joined the other elements of my own particular little compensatory world — music, books, etc. — as something whose power was undeniable since I was powerless. I had my own little fantasy of escape: If I could just hustle up enough money I would go to Paris. Meanwhile my real everyday life became more and more reified, reduced to a narrower and narrower pattern centering around the needs of my economic and psycho-aesthetic survival. The return to the Bay Area in December 1972 of some friends who had been in Paris helped to expose this misery. Even if these people were themselves far from a practical resolution, they were able to spark a new effort from me — one, from a more or less Vaneigemist perspective, by zeroing in on the specific reification and lack of adventure in my life; the others, ex-comrades of Contradiction, by bringing back to consciousness the excitement of our old activities. My first tentatives were inevitably diffuse and groping. But in all this I began from an understanding that any “personal” liberation was condemned to failure without ties to historical practice. Ideologically, at least, I had never abandoned my situationist perspectives. Thus, when I say that I experimented with such and such a “therapeutic” tactic, it should be understood that the particular tactics in themselves are of less significance than the context in which I aimed at detourning them. I began to confront different concrete circumstances in rapid succession. It was generally the case that each concrete effort led to another one. Often the connection between them will seem obscure, but in fact the relation is quite direct and often even predictable, since in reality it is not a matter here of a series of accidental “problems” but of a series of interconnected and mutually reinforcing expressions of repression, of commodity fetishism. I conducted an examination of my personal “psychogeography” — mapping out for example the repetitions in my daily movements in the city or within my own home — taking a bit out of context the early situationist experiments, on the principle that you discover how the society functions by learning how it functions against you. I started introducing arbitrary elements into my behavior, not with the passive surrealist notion of identifying the unpredictable with the marvelous, but in order to shake myself up — things like taking a walk to some place I would usually avoid, perhaps even because it was so banal. I looked over Voyer’s Reich: mode d’emploi, which I had read once a year before without thinking much of (owing to the fact that I was already going downhill). There was already an English translation of it, but since it was such a sloppy one I decided to retranslate and publish it myself. However I was still searching for an “original” theoretical project through which I could pick up again the best strands of my old radical activity. One legacy from the previous period was a real fetishism of books. From the regard for books as providing the one dependable consolation in a miserable life it was but a step to cling to and identify with the very mass of books themselves (complete sets of favorite authors, etc.) as providing a sort of objective character armor, a commodity bulwark against madness or more extreme pain. In themselves the books were just “goods,” objects whose value depended on how I used them. But to me they were more than that; in the upside-down reality of my life they were magical, they had a life of their own. One evening, sitting around in my room depressed, I started writing down what my concrete choices were, which led to writing down what was in my way:
I sold most of the books, but just for good measure, to prevent myself from living this experience merely as an intelligent business transaction, I took a few of them to a public park and burned them. I set up a little sign by the fire on which I wrote “Death to the commodity that dominates us!” or something like that, and walked away grinning. I began to evaluate my relations with people — what I had to do with them, with what limitations, overdue critiques, etc. In the case of one — she happened to be the girlfriend of another ex-Contradiction member — I concluded that she was really too much bullshit. Even though my relation with her was rather minimal, it had gone on a long time and had ramifications with some of my other friends. Rather than continue the fakery or merely try to avoid her, I wrote her a letter and sent copies to our common friends:
Whatever the accuracy or justifiability of this type of letter, the decision to write it, how strong to make it, or even whom to write it to, may have a somewhat arbitrary character, and exaggerations are common (the addressee often being made an absolute foil to what one wants). But the relief and lucidity resulting from the polarizing of a situation are often remarkable. The next day the search for “what to do” was suddenly resolved. I wanted to confront the issues of the activities, the crises and the disappearance of Contradiction. Once conceived, nothing could have been more obvious, although in the previous six months I hadn’t written so much as a line about Contradiction and had felt uncomfortable whenever I was reminded of it. That first day I wrote over forty pages of narration. I also decided to postpone the Voyer translation until I had publicly settled accounts with the hugely accumulated irresolutions of my old activity. The next month was mainly devoted to writing my text on Contradiction. Typically I would write at home for a few hours until my mind began to get dull, then I would take a long walk and by the time I ended up at some café I would find myself refreshed and anxious to get back to my writing. (I also found that some plastic restaurant with straight clientele was often more conducive to critical thought than the more hip or sophisticated places where the roles and pretensions were so thick.) However I also continued a more “personal” research on myself, examining various character traits and affect blocks and experimenting with such techniques as neo-Reichian exercises and writing about myself in third person. One evening I ate dinner with a couple friends and a friend of theirs. This latter guy was rather typical of that type on the margin of the situ milieu who is just close enough and just sophisticated enough to see which way the wind is blowing and affirm his wholehearted approval of whatever happens to be the latest situationist splash. He was thus running on at the mouth about Voyer, “character,” “passionate subjectivity,” etc. I asked him to give me one concrete example of what all this verbiage meant — i.e. a practical decision that he had implemented. Thrown into confusion, he ran on about “the concrete” — yes, that was really where it was at, etc. In a few days he, too, got a letter, with copies to mutual acquaintances:
I had solved the question of this hanger-on and had put the unclear question of my relation with our mutual friends on a more concrete basis. It was now their problem, and to the extent that they (at first) responded defensively and uncomprehendingly, my independence from their sophisticated impotence was simply confirmed. In general, a person who is always in the company of others is likely to dissipate his ideas, to lose the faculty of considering and concentrating. I have found that the strongest theoretical rushes often come from a decisive encounter (e.g. with a person or a pamphlet) immediately followed by a few days of solitude. Similarly, in the above case I had effectively thrown myself on my own at a point when my researches were coming to a head. I set about a more deliberate experimental psychoanalytical program, inspired largely by the reading of Character Analysis. The more I experimented in the direction of adventure, the more I became aware of what a zombie I was — in the compulsive patterns of my thinking, gestures, etc.* I began to get a more precise idea of my “character” by fighting it, by inference, by a “triangulation” which pointed to a repressive psychophysical formation which was the coherent source of the various apparently unconnected irrational symptoms. Only, whereas Reich treats character in a somewhat self-contained way, I took character to be in a dynamic with the society; not something which could be “dissolved” in itself, because it doesn’t exist in itself, but rather as a sort of internal correlative to the commodity-spectacle. I adopted the tentative formula: The anticharacter struggle must arm itself, the revolutionary movement must break its own blocks. I set pen and paper by my bed so I’d be ready to write down my dreams immediately upon waking. The next day, after writing them down I tried a free-associative analysis of them, noting where I felt blocks to various topics (e.g. suddenly feeling “tired,” remembering other things “I need to do,” receiving decoy insights). Some of these associations brought back the memory of childhood sexual fantasies, which I proceeded to reenact. Once I had slipped myself back in “under childhood,” memories repressed for years succeeded one another. The next evening, feeling the need to act a little in the “external” world to maintain and concretize my perspective amidst all this psychologizing, I snuck into the stupid movie WR: Mysteries of the Organism and wrote some graffiti that would be seen as the audience filed out after the show: WATCHING “WR” MAKES YOU NOT THE SPECTACLE OF THE DISSOLUTION With the intensification of my self-analysis, I began to feel more vibrant, a more erotic being (to the point of for the first time being able to affectively imagine homosexual pleasure, which for me was equivalent to having a more appreciative rather than repressive attitude toward my own body). I would sometimes see people going out of their way to meet me and I often started conversations with strangers without caring if anyone thought I was crazy. While normally rather unobservant of other people’s gestures, I became pretty sensitive to them because I was more sensitive to my own, and I began to counter my typical trait of dominating, unilateral conversation. (Of course no matter how “open” you are, it still takes two, and some content, to make a dialogue; so most of these encounters didn’t come to much after brief, sometimes exciting beginnings.) One effect of my increased self-understanding was that I was better able to detect and combat psychological irrationalities in my text on Contradiction. For example, I found that in criticizing my own past I had a tendency to overemphasize Point-Blank, as providing a sort of absolute foil to me. It became obvious, when I honestly examined my feelings and even dreams, that I had an irrationally excessive attitude toward them: they were at once “threat” and concretized realization of numerous tendencies that I could see in myself. However poor their activity, its very existence was a reflection of my impotence. This attitude was objectively reinforced by the fact that the paucity of genuinely situationist texts and activity in America lent a disproportionate apparent importance to the various confusionist manifestations which were identified in the popular mind with the SI. As long as these manifestations were few and far between I could envision exhaustive critical denunciations of them, seeing myself as a restorer of the “purity” situationist theory formerly seemed to have when not very many people in America knew about it. The straw that broke the camel’s back, shortly before, had been the New Morning special situationist issue. I wrote the following telegram to myself and pasted it on the wall in front of my desk. ENOUGH IS ENOUGH! NO MORE!
The critique of Point-Blank in Remarks on Contradiction, which originally could have made a pamphlet by itself, was accordingly condensed to just enough to specify a few main tendencies in nascent American pro-situationist activity, as represented by those who were at the moment their most substantial and visible manifesters; and to kick up a little polarizing polemic. Similarly, other elements of Remarks that would have expressed mere psychological compensation were eliminated or at least trimmed down. I avoided discussing certain matters the real purpose of which would have simply been to put a better face on my activities or to prove that I was capable of handling such and such a topic. During the second week of March I was at fever pitch, with an energy I had not had since childhood. At every point I tried to pull the rug out from under myself. I particularly aimed at countering any defensive seriousness by constantly holding up to myself the absurdity and silliness of my ego. Sometimes, when no one else was around, I would walk down the street singing free-associations and laughing at myself. I was possessed, oscillating between a joyful lucidity and a fear of flipping into insanity. My character became almost tangible to me and reacted with physical symptoms as well as theoretical “bribes” (like the third-degree complementary team of torturer and “sympathetic” guy who regrets the unpleasantness, which could be dispensed with if one would only be “reasonable”). On the one hand, the critical-analytical tactics (daily dream analysis, etc.) began to become repetitive and lose their force and I began to lose the initiative necessary to continually supersede them. On the other, the bribes became almost more than I needed or could handle. The text on Contradiction, issuing from the released repression of so many events in our past, had begun to take on proportions that threatened to engulf me, like the projects in Contradiction that got so large that we ended up getting sick of them and unable to complete them. (The continuous addition of material to a text often also serves as a defensive buffer, surrounding and neutralizing the more daring and incisive formulations.) So insofar as I could grasp and control the situation, I took Remarks as the “pay” in exchange for the in-any-case inevitable characterological re-formation. Taking the long chronological narrative as raw material, I quickly rewrote the piece, this time concentrating not on the history of Contradiction but on what I had to say about it, the conclusions I could draw from it. I also applied many of the analytical techniques I had been using on myself to the writing of the pamphlet (“brainstorming,” etc.). With the completion and publication of Remarks, the characterological equilibrium — albeit perhaps somewhat loosened or “stretched” — had largely reestablished itself. [NOTE] * Cf. the numerous science-fiction stories where humanity is prey to some sort of psychological parasite. Often the protagonist, become temporarily “free,” experiences a surge of intelligence and power: the parasite sustains itself by keeping man ignorant, unaware of his real capacities. Much of the fascination of such stories stems from the fact that they externalize as a literally alien force the domination of present humanity by the commodity (just as that related genre, the android story, presents literal machines which are virtually indistinguishable from humans). From Bureau of Public Secrets #1 (January 1976). Reprinted in Public Secrets: Collected Skirmishes of Ken Knabb. No copyright. |
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